what makes the burg go round: LOVEworks.

On Saturday, April 13, the kids and I made our usual trip to Shank’s Bakery and the Farmers Market when we spotted our friend Nicole in the back yard of the Arts Council building. And then we remembered it was a special day! It was the day to unveil LOVEworks!

LOVEworks 3The caution tape around the large, six-foot letters was intriguing enough — toddlers chased each other between the letters and tugged curiously at the yellow ribbon — but Cal was especially impressed by the giant novelty scissors Nicole pulled from the trunk of her car. He promptly noted she was NOT running with them because that would be “extra-dangerous.”

Before she and other officiants cut the ribbon, she filled in the gathering crowd on the unique project. LOVEworks is a program by the Virginia Tourism Corporation that seeks to promote the message that “love is at the heart of every Virginia vacation.” Harrisonburg makes the twenty-first city in Virginia to create and display a LOVEworks sculpture. You can see pictures of the other twenty sculptures at the Virginia Is For Lovers site.

LOVEworks collageHarrisonburg artists Nicole Martorana (yes, she wears a lot of hats), Jeff Guinn, and Mike Herr designed our love letters, each six feet tall and spanning a total of sixteen feet. The L represents Harrisonburg’s cultural diversity and is covered with a photographic collage of local residents’ belongings from their native countries. The O is wooden, representing agriculture, with a planter built into the top (holding strawberries, sedums, and other native plants) and metal sides that will rust over time.

LOVEworks sculptureThe V is made of bicycle parts and spray-painted blaze orange to symbolize our cycling, hunting, and fishing friends. And the E is a combination of magnetic dry erase and chalk board designed to be an interactive symbol of Harrisonburg’s love of art. In fact, it can be used as another exhibit location on the First Fridays art walk.

And then, the giant scissors snapped and LOVE became an official fixture downtown.
But we already knew that, huh? :)

LOVEworks coupleCopyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

piece(s) of mind: larkin arts.

daniel suter larkin arts

banjodenise allen seed packetstreet sweeperChris Clark wants the whole block tidy, dammit.

Copyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

spring loaded: larkin arts.

Like cutting into a head of iceberg lettuce, like riding a bike downhill, like the snap of a beer can opening, like biting into a York peppermint patty. FINALLY. Spring in the valley. A gorgeous, reviving, sunny day. For a moment I noticed it was cold in the shade, but I quickly pushed that sensation away, refusing to acknowledge our lingering winter any longer, and basked in the heat of the warm sidewalk and my steaming cup of coffee. The natural radiance of the day was appropriately punctuated by beautiful and striking works of art generated by our sizable local art community. It couldn’t have been a finer day. Plus, it was nice not to be out in the rain or snow or wearing my clunky boots and my old gray coat.

harrisonburg springtimeA dozen or so local artists set up displays of their work at Larkin Arts’ first ever Art Market, held right there on the Court Square and spilling over into the Denton building parking lot. Even before its official start at noon, folks who were clearly on their way somewhere felt compelled to pause, peruse, and talk with the artists.

Here’s a little snapshot of the artists there that day.

Trip Madison wasn’t actually present, because he was out of town, but his work made it to the market: prints of acrylic and ink on wood and printed on metallic paper. To the left of his table was Daniel Suter and his bearded demons and monsters. I guess they are scary looking creatures, except for their lovely, flowing, feather-drop beards, but one — the purple one — didn’t seem so demonic. He seemed benign, wistful, even sympathetic. I wanted to take him home.

daniel suter larkin artsAround the corner we found Paul Somers displaying multiple photographs, including Polaroids that carry such nostalgia, like stumbling on an old forgotten box of photos in your parents’ attic. Paul shared a table with Chris Fulmer, whose work was also tangibly personal — like photocopies of his journal, for example — and, therefore ironically, free.

artists at marketMorgan Fink displayed prints of her oil paintings and drawings done in pen & ink with colored pencil, and Angus Carter shared an immeasurable variety of work with those who browsed his table. I liked that “What a Fox” fox portrait, and pretty much everything in the box labeled TESTS & DOODLES.

There was also some recycled art work: Andi Senatro of Andi’s Green Art displayed mosaics, guitar picks, and other items made entirely of chopped up Starbucks gift cards, and Kelley Shradley-Horst made all sorts of items from clock and watch parts.

kelli horst clock workBruce Rosenwasser was there; he has a thing for hearts. In fact, last year he sold some 600 hand-carved wooden hearts. He told me how one year he made all these wooden Christmas ornaments in various shapes, and some ladies sifted through the entire inventory and bought all the heart-shaped ones. Now he can’t seem to make enough of them. But he also creates frames, earrings, wall hangings, even portaits, all from locally reclaimed scrap wood.

I really enjoyed Pam Ulmer’s photos — so bright and crisp, some of nature or serene locations, some of interesting historic landmarks, statues, old buildings. Lynda Bostrom’s large display featured drawings, paintings, and graphic designs in subtle colors. Brandy picked up a couple from her:
Lynda Bostrom

works by lynda bostromLast but not least was Denise Allen and her table of drawings and watercolor paintings, hand-made coloring books with a free hand-made, star-shaped crayon (!), and even seed packets, all in brown paper packaging, signifying favorite things. You know what one of my favorite things is? Pretty much anything made by Denise. And Denise herself.

denise allen crayonsHere’s to more beautiful sunny days with beautiful sunny people! Happy spring!

Copyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

happy good morning to you!

Good morning, beautiful Harrisonburgonians :)

Last week made me fall in love with my city even more, and now that spring has officially arrived in the burg, the love buzz can continue. Check out what the burg has to offer this week–lots of fresh and springy music, food, and activities for you and the family. You can find the details on our Harrisonburg Happynings page, right now!

love,
katie and brandy

drawn together: art lotto 2013.

art lotto balls in a bowljess and kids denise with signdenise with cups bw*Some photos contributed by Rachel Herr.

Copyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

draw attention: art lotto 2013.

blue nile windowpaul forrrester art lotto table with cups burgIMG_0300*Some photos by Rachel Herr.

Copyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

who’s in your cup? art lotto 2013.

Hard to believe it’s time to get lucky again. Has it really been eight months since dozens of couples put their (art) tools together in the spirit of creation?

Yep. Art Lotto!! Put simply, this brain child of Brandy Somers and Denise Allen is an art show comprised of portraits of artists by artists. More specifically, artists randomly select other artists by way of a lotto system, resulting in a cosmic explosion of incredible talent and vision that will completely knock your socks off.

art lotto ballsbwwebLast year, Brandy and Denise used an old-timey lotto cage for the drawing. At this year’s Luck of the Draw event (on March 20 at The Blue Nile), participants selected their subjects by choosing a cup that concealed a ball. Written on the ball was another artist’s name. The cups were all hand drawn — I repeat, hand drawn — by Denise… beautiful, detailed drawings of birds and bees, bears and fish, hot air balloons and airplanes, an octopus, a cat, a peacock feather, and 46 more! That’s a total of 55 artists, compared to last year’s 43.

art lotto cups denise with cupsA bar full of artists is quieter than you might expect, each one carefully choosing a cup and shyly making eye contact with their selected artist. And I guess it’s not so strange… I mean, when you have to produce a piece of work depicting another artist, you might feel a new type of pressure. But really, the event is about bringing together artists who might not usually collaborate to share their ideas, their insights, and their lives with each other. After all the artists had made their selections, Brandy reminded them of important guidelines and deadlines and encouraged everyone to put something in the comment box “for nice words or questions,” lol. Then everyone seemed settle down and mingle, trading contact information and reminiscing about last year’s Art Lotto. Last year the finished products were ridickers good, and with even more people participating this year (and some interesting new media, too!), I really can’t wait to see the walls of The Dodger filled with all those beautiful faces again.
art lotto rhoda miller

green jacket art lotto jay herr art lotto jess herr art lotto misti grimes yoder Here’s the lowdown; mark your calendars:
• July 17 — each artist must finish his or her portrait AND submit a photograph of it to  Brandy for inclusion in the Art Lotto Yearbooklet.
•  By the end of July, judges will select winners in various categories.
•  August 1 — private opening for artists, judges, and sponsors
•  August 2 — First Friday in Harrisonburg and public opening at The Artful Dodger

art lotto namesbrandy and deniseFor more information and updates, please visit the Art Lotto website and Facebook page frequently. Then join the rest of Harrisonburg in celebrating home grown art on August 2!

*Most of these photos were taken by Rachel Herr, as Brandy was busy hosting :) thanks, Rachel!

Copyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

updated happynings!

Hi all! This gorgeous Sunday, take a minute to read our Harrisonburg Happynings and plan your gorgeous week in the burg! Lots and lots going on, and if you plan correctly, you can enjoy the burg from sun-up to sundown on Saturday, April 20th! Hope you had a great week!

See you out and about!
~ katie and brandy

 

 

this just in! we have a new page :)

We’d like to show you our newest page on the site, Harrisonburg Happynings. Each Sunday we’ll tell you some of what’s going on in the burg in the upcoming week. We’ll do our best, but we’re sure to miss some things, so if you have an event you’d like included each week, please contact us through our Facebook page or email us at citygals@ilovemyburg.com. We’ll collect as much as we can through Friday of each week and do our best to promote ya!

Thanks! And now go check out what’s coming up this week (sorry, I know it’s Tuesday–I got a late start, lol)!

steel yourself: steel wheels and red molly.

microphone clementine bw 2red molly bw 2 steel wheels bw 1 steel wheels bw 2Copyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

beat red: steel wheels + red molly.

steel wheels 2 steel wheels 4 steel wheels 5steel wheels 3 steel wheels 1red molly steel wheels red molly 3Copyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

cold blue steel and sweet fire: clementine cafe.

clementine bw 1steel wheels bw 6 steel wheels bw 5 red molly bw 1steel wheels bw 4 steel wheels bw 3 red molly steel wheels bwCopyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

steel the show: the steel wheels and red molly.

steel wheels 5

BUNS OF STEEL wheels.

steel wheels red molly 1

i love a blended family!

clementine cafe1 steel wheels 2

Copyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

boxcar burgthday: the steel wheels with red molly.

steel wheels red molly 2We knew what to expect from The Steel Wheels when we saw them last month at Clementine: a packed house, invigorating and contagious energy, weighty yet lucid lyrics wrapped in poetic harmonies, unbridled talent, and beatboxing. (wait… ?) But we weren’t so prepared for the opening band — Red Molly.

red molly 2When we got there at 8ish, we found a tiny open space at the bar, right in front of the beer taps, which was both lucky and convenient, since I was still ON FIRE from our dinner at Indian American Cafe. The ladies hit the stage shortly — Abbie, Laurie, and Molly, dressed in frocks and boots and surrounded by assorted stringed instruments like the banjo, Dobro, and guitar.

Red Molly’s first number, “Dear Someone,” silenced the unsettled crowd, their clear, expansive voices ringing like church bells on Christmas Day. They performed a cappella, which speaks to their level of talent. No warm up needed — they were perfect from the first note to the last. I guess making sixteen albums (sixteen!) — some as Red Molly, some as individual artists — makes you great at what you do. They played several songs from their most recent LP Light In the Sky (which they’re promoting right now on their Australian tour. I think it’s crazy that I saw the same band that someone else is seeing right now half a world away — here in Harrisonburg.). “Hold It All” — described as a lullaby — is a lovely number about love’s paradox: “It seems there’s no escape/We are part beauty and part heartbreak/But I want to hold it all.” We have to. Either that, or hold nothing.

red molly 1They followed it with a ditty by Dolly Parton called “Do I Ever Cross Your Mind” that got everyone’s feet tapping again, and by the sixth song, hair stuck to Molly’s sweaty face like cat whiskers. One of their final songs was Robert Johnson’s “Come On In My Kitchen,” appropriately punctuated by the kitchen employee who walked through the crowd for some high-fives. :)

By the time Trent Wagler and The Steel Wheels began, the stage was slick with sweat and tears and hot as asphalt trousers in July. In Arizona. They didn’t care one little speck!

Fun facts about The Steel Wheels:
1. Their new album No More Rain comes out next month!
2. They’re headlining their Red Wing Roots Music Festival at Natural Chimneys in July! (featuring Yarn, Larry Keel, Scott Miller, Justin Jones, the Judy Chops, and more)
3. Trent and Brian started their musical relationship as a duo at Dave’s Taverna.
4. Jay and Eric have known each other since preschool.
5. Some of them bear an eerie resemblance to other people. Like Trent and Will Farrell, for instance. :-)

steel wheels 4They started their set with an expert rendition of Tom Waits’ “Walk Away,” which is just about as ballsy as Red Molly’s opening song. They ripped through several songs from their previous release Lay Down Lay Low, including the title track, which, depending on how you feel at the moment, is about surrender… or defeat. Sometimes you want to “finally fall down” because “it’s quiet there.” Other times you give up just to find some peace, even if it’s alone. And then later in the show, the song with beatboxing. Yes, beatboxing. Called “Spider Wings,” which reminded me a lot (thematically) of Joni Mitchell’s “Big Yellow Taxi.” The line that made my pen meet the paper is “You got too much, you don’t got anything.” I love lyrics that obliterate meaning. Joni does that a lot, too. Ah, futility. How insignificantly full life would be without you.

steel wheels 3 steel wheels 1Although Brandy and I had consumed a heaping helping of bluegrass, for dessert we thoroughly enjoyed a boot-stomping, knee-slapping, yee-hawing finale comprised of both bands and a fat dollop of twang. I think Brandy’s shoes can testify to the fun we had with these two bands and their enthusiastic followers! Looking forward to more boot – shredding shows!

dancing feetCopyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

make a wish: indian american cafe.

indian american cafe 4

the only thing that’ll put out the fire.

indian american cafe kai

yes, he’s putting his finger in his food.

indian american cafe bday

don’t blink. don’t blink.

indian american cafe 1

spinach teethCopyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

happy burgthday to us! : indian american cafe.

indian american cafe signBirthdays are special. They remind us of a day when something really great entered our lives. Birthdays are different from other holidays because they’re personal. The whole nation isn’t celebrating… just your circle of friends and family… just those who inhabit your world. And so birthdays are for telling our loved ones, “I’m grateful you’re alive. I’m happy you were born. My life would not be the same without you.” And we throw parties with cake and laughter and music and silly activities. Like bobbing for apples. Or pinning a tail on something. Or running with a water balloon between your legs. I love birthday parties!! More than any other holiday.

shanks cupcakeOh, the memories of my childhood birthday parties. The one where the wind ripped the paper tablecloths right off the tables, spilling drinks and cake and all of it… blowing across the yard, my mom frantically chasing cups and napkins. The one, in middle school (people, don’t throw a large party for a tweenager. It’s just a bad idea.), where finally some kid, on a Hawaiian Punch bender, walked right through the sliding screen door and everyone ran for cover while my dad yelled, “That’s it! THAT’S IT!” The one that coincided with father’s day (my fourteenth?) and we had a party on the lake, and I got to drive the pontoon boat (that was my favorite). In fact, June is always a spectacular month–so many birthdays. So many special people to be grateful for, including my daughter, her dad, Brandy, Blake, Rebecca, Kim, Caleb, Sarah… we just celebrate all month.

On this night, we weren’t really celebrating a person’s birthday; we were commemorating the first birthday of ilovemyburg.com. Yep — one year ago, on February 14, 2012, we launched this blog with our first post about Granny Longlegs. But, we were certainly celebrating people. I mean, the blog’s primary purpose is to document Brandy’s and my experiences in the city… so it serves as a permanent scrapbook of sorts that will become more meaningful each passing year. So it was a celebration of our friendship. But it was also, and this blog is, a celebration of all the people who inhabit our little world… all of you who read each week, all the folks we see out and about, everyone. I can say that my love for this city has grown in the last year, probably because of my increased focus on it.

We decided to eat our birthday dinner at Indian American Cafe. Brandy had hoped it would snow because she was envisioning snowy cafe photos, and I, admittedly, had not been in that restaurant in about a decade <cringe>. I used to go all the time! I don’t know why I stopped… but I will not let that place disappear from my life EVER AGAIN. We invited several friends to our birthday party, and we were joined by Danielle, Kai, Sean, and Denise. At first we discussed what to call our birthday — our “burgthday” as the title of this post indicates, or our “blogthday” or “blogirthday,”… but then Kai whipped out “Geblogstag” (German) and its equally impressive variant “Geburgstag” and trumped us all. How can anyone argue with a German guy in an Indian restaurant? I was clearly out of my league, culturally.

Indian american cafe 2 indian american cafe s&dOn to the food. When you order your food, you can choose your level of spiciness, from one-half to four. One-half is mildly spicy but certainly not bland, and four makes your eyes bleed. Just kidding. But really, don’t underestimate the hotness. I don’t remember everyone’s spice level, but I ordered my dish–this yummy steak with rice and spinach dish– at a two. Brandy got the same thing but with chicken and at level three. If memory serves, Kai got a one. Still, he was grunting away eating his meal. I was snorting and sweating my way through my plate, Brandy got splotchy and snotty, and Danielle could flat out see through time. Still, we shoveled it in as some kind of feat of endurance. The food is so good you cannot stop eating it. And they give you A LOT of food. I took half of mine home. And what did I do at two in the morning because my heartburn wouldn’t let me sleep? I ate the rest of it. Yep. You CANNOT stop eating it.

indian american cafe menu indian american cafe food 1Between mouthfuls we watched You Tube videos on Kai’s phone. Yes, we were those people. Kai had not seen the Sweet Brown remix thing, and I’d somehow continued to exist despite having missed several other compelling Internet videos. Egads. And then of course, any time anyone said anything the rest of the night, one of us had to say “Ain’t nobody got time for dat” or “I can’t call it.”

indian american cafe videoIt was getting on time to head to Clementine to see The Steel Wheels (post forthcoming!), so we ended our dinner with a birthday cupcake from Shank’s, compliments of Danielle. We lit the candle and sang the birthday song while Danielle tried to take photos of two really giddy idiots. Someone finally told me I had spinach between my teeth. And when we emerged from the restaurant, much to Brandy’s delight, it was snowing. Unfortunately, it was also dark.

indian american cafe bday 2

photo by Danielle Campbell

Indian American Cafe is located at 91 North Main Street in downtown Harrisonburg, about a block south of the Blue Nile. This will go down as one of my favorite birthdays ever. Thank you to the 60+ local businesses that have tolerated our antics. Can’t wait to see what this year brings!

Copyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

MISSplaced blame: women in focus at court square theater.

After viewing Miss Representation at Court Square Theater, then sleeping on it, then thinking on it, and then writing about it for several days, I reached this exciting and hopeful conclusion: we’re ALL culpable. Women point the finger at men, and at each other, men point the finger at women, and all that’s left is your own finger pointing at yourself. Which finger you choose to point with is entirely up to you.

When Marian Wright Edelman, Founder & President Children’s Defense Fund, states in the documentary, “You can’t be what you can’t see,” I understand what she means. It’s hard for children, male or female, to become something that, for lack of a decent example, they’ve never been exposed to. For instance, if a child never had a responsible, loving parent, then how can he or she become one? But tell that to Sally Ride or Amelia Earhart. History shows us that every new advance, any kind of progress, starts with some sort of pioneer… there’s a first time for everything… and those pioneers — people of all genders and races and backgrounds — did indeed become what they couldn’t see. This pioneer spirit might not be fully awakened in us all, but if one female child can aspire to be the president of the United States, she clears a path of hope for the rest. What I’m saying is… we don’t need a TV commercial to show us our potential. We don’t necessarily even need a good role model, although that certainly helps. Some people need only the pioneer spirit, to rise above their current circumstance and see themselves differently. This is where social progress occurs. In the heart of each individual.

artfuldodger1One part of the film I thought particularly interesting discusses the impact of WWII on women. As I’m sure you know, during WWII women entered the workforce in droves to fill the gaps left by deployed men. This was a new and tantalizing taste of freedom and purpose and ambition for women. After the men returned, most women were laid off. Okay. But what I didn’t really think about, which the film points out, is that television during that time — its programs and commercials — subtly urged (is that an oxymoron?) women to stay home and attend to domestic responsibilities. Commercials and shows depicted women cleaning and cooking and the like, and doing a good job of it. Here were thousands of women feeling displaced because they’d enjoyed their jobs during the war and were now relegated to scrubbing Jello off the kitchen floor again… television gave women a renewed sense of pride in being the woman of the house. And it was necessary, really. (Personally, I would have LOVED being a stay-at-home mom. That ship has sailed, and I accept that, but I am nurturing by nature and would have been GREAT at it!) Anyhow, the film contends that this steady diet of domesticity fed to women by their televisions created a social environment where women stopped believing they could competently work outside the home. It’s been nearly seventy years since then, and the film asserts that seven decades of this message has caused today’s young women not to aspire to high-level professional occupations. I don’t recall the exact statistic, but the idea is that if you poll really young girls, many of them will say they want to be the president or a business owner when they grow up. When asked a few years later, after countless hours of discriminatory media consumption, those same girls say they want to be teachers (gasp!), or nurses, or other typically female, lower-level positions. Ergo, the media erodes a girl’s confidence, and fewer women enter high-level jobs or seek positions of power. But… Sally Ride and Amelia Earhart and countless others have transcended gender stereotypes….

womeninfocus1So now we get to the blame game.

One of the female interviewees in the film states that men are “emotionally constipated.” They, too, have been negatively affected by how the media portrays women. They are not immune to the objectification, dehumanization, or “pornification” of women. And as her remarks continue, she seems to imply that men are being conditioned to be abusive. I am concerned about this with my son. As his mother, I’m his primary female role model, but there’s only one me, and lots and lots of other females in the media who project a different image. Of course I don’t want him to grow up thinking women are fake or plastic or worthless objects. Then again, my dad served in WWII and until 2005, also received this same diet of June Cleaver and Lucy Arnaz, and, other than making us eat dinner in the family room on Saturday nights so he could watch Solid Gold, he didn’t objectify women. He had great respect for his mom, his wife, and his three daughters. Heck, even my tenth-grade students understand that wearing Victoria’s Secret underwear will not make them look like Heidi Klum.

So what’s our excuse? Women can’t totally blame the media for all their issues or shortcomings, because someone like Oprah Winfrey or Billie Jean King will come along and shatter those misconceptions. Likewise, men can’t blame their “emotional constipation” on the male-dominated media, because someone like my dad will come along and show he doesn’t buy into all that.

That’s the key. We just have to get every single person on the planet to stop buying into ridiculous images and ideals of women AND men. It’s really just awareness. I mean, once you realize you’re being manipulated, then it’s your own fault if you continue to be. Hence the finger pointing earlier. And so that’s what Miss Representation strives to do, even though I’m still not sure the film adequately conveys it… Let’s just drop all notions, related to groups of people (genders, sexes, races, income levels), that are limiting. Let’s just decide not to believe it any longer. And let’s stop blaming the other groups for our own oppression and access our pioneer spirits. Visit the Miss Representation web site to join one of their many campaigns to empower ALL people and dismantle sexism altogether.

Thanks again to Court Square Theater for providing a chance for the Harrisonburg community to explore our own culpability.

Copyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

MISSleading media: women in focus at court square theater.

womeninfocus8The saga continues…

Here we are, at the third installment of this series about Miss Representation, a documentary which explores the effects of various media on women. Tonight I’m writing about mixed messages—mixed messages the media sends to women of all ages, and mixed messages in the documentary itself. For example, there’s a part of the film where Gloria Steinem and Jane Fonda (two separate interviews) rail against the unfair, unrealistic expectations that women must be young and beautiful and sexy and physically perfect in order to be valued… yet these two women are caked in makeup and hair spray. Again with the makeup thing… really? I know, I know… but I couldn’t help notice that two well-known and highly respected women who have, their whole lives, supported the ideas of equal rights, feminism, and self-expression, are worried about looking their age. ??? Have they, too, fallen under the same spell they’re criticizing? And if Gloria Steinem and Jane Fonda can be duped, is there any hope for the rest of us? Ugh.

I’m sure I’m remembering the segments of the documentary out of order, but I recall a part where a series of images is projected—images of Bratz dolls and Sarah Palin, of Paris Hilton and Florence Nightingale, of Barbie and Daisy Duke and Hillary Clinton. There are also photos from various fashion magazines, and a demonstration of how photo editors digitally “enhance” (manipulate) the faces and bodies of the models. Why do we even need real-life models anymore, now that we have this technology? How has the modeling industry survived the advent of Photoshop? I mean, the models’ eyes get enlarged and widened, their cheekbones defined, their noses straightened, their waists whittled, their breasts lifted, their thighs thinned… all with a few clicks of the mouse. In the end, the images look only remotely like the original models. Sorry, viewers, but what you see is a carefully crafted illusion… not a real human being.

The dolls, sexy movie stars, and Photoshopped models send an immediate and lasting visual message, that’s, for some, more influential than a speech by Margaret Thatcher or an interview with Georgia O’Keefe. And while we know commercials are inherently deceptive and manipulative, even “reputable” news channels like to report on our female leaders’ appearance much more frequently than they would a man’s. So even female politicians, artists, doctors, scientists, humanitarians are reduced to their physicality, rather than elevated to their intellectual capacity. Why would a young woman aspire to become a leader if even the news doesn’t acknowledge female leadership? This leads me to what I think is the most disturbing portion of the film: “news leaders” like Bill O’Reilly, Rush Limbaugh, and Glenn Beck calling women (like Hillary Clinton, Michelle Obama, and others) “b*tches.” In one clip a news anchor asks if Sarah Palin had breast implants! I mean, I made fun of (then) Governor Palin’s “Russia” comment, but I didn’t call her a b*tch and question the authenticity of her body parts. I also remember an image of Hillary Clinton wearing something that revealed about a centimeter of cleavage. Like Janet Jackson’s “wardrobe malfunction,” this incident was quickly dubbed the “Cleavage Controversy.” Can you imagine hearing about Bill O’Reilly’s “Bulge Controversy”? Never. And have you SEEN Rush Limbaugh? How he could ever remark about someone’s looks is beyond me. Can someone Photoshop him?

I’m sorry – was that b*tchy?

The point is, women have bodies, and whether they dress themselves in business suits or bathing suits, someone will criticize their appearance and ignore the rest. And THAT is a mixed message. What’s worse is the effect this constant negativity has on the relationships among women. Women question each others’ ability to lead, because we believe women lack the emotional fortitude to be tough, firm, consistent, rational, logical. (I’m laughing now, thinking of my mom and how strong she is, in so many ways. Really, you have no idea.) The constant focus on female appearance has created a habit of unhealthy comparison. This “beauty competition” causes jealousy, which causes hatred, which is really just self-hatred. Do men have this dilemma? I’m asking sincerely, because I truly don’t know.

And so we’ve ingested the poison. We’ve been conditioned to hate each other. A common compliment among women is to say, “You’re so pretty. You make me sick.” That is self-loathing wrapped in flattery—another mixed message—kinda like a cockroach wrapped in bacon. Goes down so smoothly you don’t know what you’ve consumed.

All this, unfortunately, has a lasting effect. One that can be overcome with awareness, yes… but it’s hard to “un-ring the bell,” so to speak. Once an idea is firmly planted and grows into an ideal, it’s hard to uproot it. If I had to give a name to this burden, I would call it unworthiness – a sense that no matter what one does, it’ll never be enough. As one high school student says in the documentary – her name is Maria – “When is it going to be enough? How long is it going to be for someone to take a stand?” I’m sad that she feels so defeated at such a young age, and that she doesn’t see herself as someone who can take a stand.

womeninfocus9I’ve always been tall and slender, just like my parents. Yes, I used to run a lot and completed a couple of marathons, but no matter my current level of fitness or what I eat, I stay pretty scrawny. I’ve gotten some flack from other women about this… I’ve been on the receiving end of “you make me sick.” Many people think that because I’m an ectomorph, I’ve had it easy. I haven’t. Like the film explains, women of all shapes and sizes will be judged for their shape and size until… until it’s no longer a value, I guess. So I’ve been judged, too.

Let me paint you a picture, lol: In ninth grade, I was 5’11” (like I am now) with a size ten shoe, and thirty pounds lighter with red, frizzy hair. I was Ronald McDonald. My two best friends in high school were David and Austin, because to the girls, I was that “weird girl,” quiet and awkward and lanky and bookish. I didn’t wear a bra until I was fourteen, and that was only because kids made fun of me for not wearing one. I didn’t need one, and I still don’t. I remember my friend Shannon in seventh grade coming to my defense, telling other girls that my bra was invisible… the latest thing! While other girls/women hated me for my thin frame, I coveted their curves and long straight hair. I would wear leggings under my jeans in hopes of filling them out just a little more. I never went so far as to stuff my bra because I would have been mortified if the sock had somehow moved to a strange position or, God help me, fallen out. But I certainly considered it. On the flip side, no men ever say to me, “Hey, baby! Nice protruding hip bones!” or “Look at the rib cage on her!” A mixed message: women seem jealous of my body type, but men seem disinterested in it.

Okay, my face is starting to flush because I’ve revealed A LOT in this post. I will add this: my body has served me well, and it continues to serve me well. There’s really nothing I can do to change what I have (or don’t have), and that’s fine. My short hair doesn’t get many whistles either, but I like it. I think it suits me.

But I’m still not leaving the house without makeup on.

Copyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.

MISStaken identity: women in focus at court square theater.

Part Two of Four

future woman, in focus.

future woman, in focus.

The previous post, “Girl Talk,” summarizes my experience talking to women about issues facing women. It also underscores how totally confused I can get when faced with a complex topic. The remaining posts in this series — this one and two more — will explore the statistics presented in the documentary Miss Representation, the complexity of gender stereotypes, the mixed messages conveyed by the “media,” and ways of sorting it all out and moving forward. Maybe. ha ha.

I should re-iterate that this type of post is a slight departure from what we usually do, and everything you read here is what I see through my personal lens. That’s really all anyone can offer. So, I take full credit or blame for the ideas contained herein (official disclaimer).

After the Women In Focus social at the Dodger, I headed to Court Square Theater for the documentary. I must’ve gotten there earlier than I intended, because there were just a handful of people seated around me. But sure enough, just two minutes before the film was to start, a long line formed in the corridor. Now, ladies, do we have to be late for everything? And did we have to perpetuate a female stereotype at a film that explores the perpetuation of female stereotypes? So Michael Weaver politely took the stage and assured us that the film would start just as soon as they could get everyone through the ticket booth. And several women, ahem, just talked right over him. Eventually, the theater filled up: eleven men and a zillion women.

I’d like to share this synopsis from the Miss Representation web site in case you didn’t see the film:

“Like drawing back a curtain to let bright light stream in, Miss Representation uncovers a glaring reality we live with every day but fail to see. Written and directed by Jennifer Siebel Newsom, the film exposes how mainstream media contribute to the under-representation of women in positions of power and influence in America. The film challenges the media’s limited and often disparaging portrayals of women and girls, which make it difficult for women to achieve leadership positions and for the average woman to feel powerful herself. In a society where media is the most persuasive force shaping cultural norms, the collective message that our young women and men overwhelmingly receive is that a woman’s value and power lie in her youth, beauty, and sexuality, and not in her capacity as a leader.”

Writer and director Newsom, a former actress turned activist and documentary filmmaker who herself experienced debilitating body image problems, narrates the film. The film relays lots of disturbing statistics, some of which I’ll try to summarize and tie together here.

First, as a nation (according to the film), we spend more on beauty than on education. However, the film does not fully substantiate this claim. Does it mean that a lifetime of beauty products and procedures costs more than four years of college? And what if the student gets a scholarship or grant? There aren’t grants for beauty products, so I can see how those numbers might be unclear.

STILL, the statement implies that women value beauty over education, which IS a sad idea, no matter what you believe. If you believe it, then it stands to reason that, according to the film, sixty-five percent of women and girls will experience some form of eating disorder. If females value beauty so highly, then they’ll go to extreme lengths to achieve it. Newsom also implies that the MEDIA forces/conditions/brainwashes women (starting at a very young age) into valuing beauty over education. This is the part I struggle with. I think it’s safe to say that our upbringing and social/economic environments do shape our values as kids. But once we’re adults, we can choose our values, and if I value beauty over education as a grown-up, that’s my choice, not necessarily the media’s fault. What the film strives to do is make everyone aware that the media is manipulative (in many ways) and therefore, what the media “tells someone” about him or herself is not necessarily true. For many of us, this awareness occurs naturally as we age, but not for all of us. And even if we DO become aware, it’s hard to reverse the damage.

The documentary also gives statistics about females in the film industry. Only seventeen percent of protagonists in movies are female, and these roles typically “revolve around the pursuit of a man.” That IS a sad statistic, yes, but I can think of a few films where the female protagonist had an agenda other than something romantic: Jackie Brown (my all-time favorite); Million Dollar Baby; and The Silence of the Lambs, to start.

womeninfocus7The film purports that “women appear to be empowered” but any female protagonist is “very much objectified and exists for the male viewer.” Further, the film states that objectification leads to violence, like rape. I believe this to be true, but not purely in a man-objectifying-woman sense. As a culture we’ve become object-oriented and materialistic, and many times we mistreat others because of our view that they’re somehow disposable. We’re all collectively guilty of that. However, just because a man sees a sexy or scantily clad woman in a movie does not mean he’ll commit a violent crime. Plus, that would suggest that by wearing provocative clothing, women are “asking for it.” I don’t think Beyoncé was promoting rape during her half time show.

So, how is all this objectification occurring? Well, according to Miss Representation, women comprise only three percent of people in “positions of clout” in telecom professions. Essentially, men are the “puppeteers” and women are the “puppets.” But let’s not forget — women are accepting the Hollywood roles that they themselves are objecting to… right? I mean, women are PAID money to portray certain characters, who might then have a negative effect on a female audience. We can’t talk out of both sides of our mouths. A woman can’t rail against the chauvinism of a Hollywood film AND be its leading lady. I’m not an actress, but I do wear makeup. If makeup is a problem (and if you’ve seen a mascara commercial recently, you’ll probably agree that it IS a problem), then I am part of that problem. I am contributing to it by purchasing the product. The film, and the web site, asks us — all of us — to stop purchasing products that contribute to objectification in this way, very much like the way we’ve evolved to avoid products that harm animals or the environment. I can’t disagree with that philosophy.

But, I like makeup. I like feeling pretty. I like getting compliments. That doesn’t happen when I leave the house without my face on. Clearly, I am contributing to my own objectification and that of others. Uuuuuuugh. Like I need more to feel guilty about.

To me, all this data adds up to a bunch of mixed messages, which the film also explores, and which I’ll delve into next time. Thanks for reading. Please offer your comments! We are lucky to live in a nation where we can openly discuss topics like this, and we are doubly lucky to inhabit a city that encourages social debate, awareness, and progress. Thanks again to our Court Square Theater for unearthing the discussion.

artfuldodger2Copyright © 2012-13 · All Rights Reserved · ilovemyburg.com. Written content by Katie Mitchell. Photos by Brandy Somers. This material may not be copied, downloaded, reproduced, or printed without express written consent. Thank you for respecting our intellectual property.